A short tour of Quire’s core features and settings, using the example story that comes with it. It takes about fifteen minutes. Everything here is also explained in Quire’s own Help (Options → Help and info), which you can search.
Contents: Start · The layout · Chapters · Writing · Focus mode · Reference panel · Go to · Characters, places and notes · Story arcs · Tags and search · Revising · Stats · Settings · Saving and backups · Bringing writing in and out · The trash · On a phone · Help
Open quire.html in your browser. The first time, Quire offers two ways in:


# to find a tag, like #clue.Anywhere in Quire, Ctrl+K (⌘K on a Mac) opens Go to, the quickest way to get anywhere.
Going back: after following a link, a tag, a chip or a search result, ← Back to … above the page takes you back to where you were, at the same spot. Alt+← does the same, and in a downloaded Quire so does the browser’s Back button (or the back swipe on a phone).
Prefer a sidebar? Options → Layout → Navigation → Sidebar puts the tabs and the list of entries in a column on the left, the way older versions of Quire looked. On a phone, the sidebar becomes its own page. To make room for a long chapter list, Options → Layout → Sidebar categories… hides the categories a story doesn’t need right now, or puts them in two columns.
The Chapters tab shows every chapter as a card: its title, status, word count against its target, the start of its synopsis, and who tells it, where it’s set and which story arc beats it carries.

The status strip (switched on with Options → Layout → Color chapters by status) shows the whole manuscript at a glance, one block per chapter, sized by length and colored by status. Click a block to open that chapter. The statuses are yours to change: Story ▾ → Chapter statuses… renames, adds, removes and reorders them, each with a color that suits every theme (or none). Renaming one renames it on every chapter, and the last one counts as finished.


Each chapter has its own sheet above the text: target length, tags, and Chapter details with type (chapter, prologue, scene and so on), status, narration, point of view, the characters and places in it, when it happens, a synopsis and the arc beats it carries.

The cast check keeps those lists honest. Under Characters in this chapter and Places, Quire lists the characters and places whose names appear in the chapter’s text but who aren’t on the lists yet, with how often they’re named. In chapter 2 of the example, Duncan Ross and Vincent Spaulding are both named but were never added to the cast:

Click one to add it. Quire looks for each name exactly as written, and for the other names listed under Also known as on the character or place sheet, so if the text calls Sherlock Holmes “Holmes”, add “Holmes” there. Nothing is added unless you click.
When it happens takes any wording, like “1887-03-14” or “Day 3, evening”. Switch on Calendar beside it to pick a date and time from the story’s calendar instead, with an optional end for a chapter that spans several days. The calendar is chosen on the story overview under Story time: real dates, plain days, or a calendar of your own with its months, weekdays, eras and leap years. There you can also name points in time (“The Long Winter”) and set the span the whole story covers. The overview also takes a title image, which the e-book can use as its cover, and, under Front and back matter, a dedication, an epigraph, acknowledgments and an about-the-author page for the Word document, the e-book and the web page.
Scroll down a chapter’s sheet to its text.

Options → Layout → Buttons above the text… changes the order of these buttons and which ones show.
A few things happen as you type: "quotes" become “quotes” (English, German or French style), -- becomes —, and ... becomes …. Ctrl+Z right after undoes just that.
Undo (Ctrl+Z, redo with Ctrl+Shift+Z or Ctrl+Y) steps back through your typing and Quire’s own changes to the text, such as speaker marks, passage tags, comments and alignment, in the order you made them. On a phone, the message that appears after such a change has an Undo button.
Links: select a name and press [[ ]] to make it a link, or press it anywhere else for an empty link that suggests entries as you type. Typing [[ does the same. A link finds an entry by its title or by one of its Also known as names, and the entry you link to lists the link back.
Who says this marks who speaks each line of dialogue, for Voices in Stats. Click into a line, press the speaker button, and pick a name. The panel stays open: click into the next line, or press Next unmarked line, and pick again. With a keyboard, 1–9 pick a speaker and N moves on. Marked lines get a dotted bar in the right margin.

To say whose scene it is, don’t select text: use the small labels at the start of the chapter and at each scene break, which appear once the chapter has two viewpoint characters. When the chapter has a time, each scene break also gets a clock, so a flashback scene can have its own date.
To bring writing in, paste it (formatting is kept, clutter is dropped), drop an image straight into the text, or use Import chapters.
Focus mode hides the title bar, tabs and sheet, and leaves the text. Press Esc or Leave focus to bring everything back. With Intense focus (Options → While writing), only the text, its toolbar and the buttons above it remain. On larger screens, the full-screen button next to it hides the browser’s own bars too.
A running sprint stays visible above the text. Here it is in the Twilight theme, with a sprint 2 seconds in and 5 words written:

What color was Holmes’s dressing gown? What did your research note say about the price of foolscap? The Reference button above a text opens a panel beside it, so you can look things up without leaving the chapter.

Press Ctrl+K (⌘K on a Mac), or choose Story → Go to…, and type a few letters:

#Holmes & Watson) and your other stories.↑ and ↓ choose, Enter goes there, and Shift+Enter puts the chosen entry in the reference panel instead of leaving the chapter. With nothing typed, Go to lists the entries you opened last.
Characters and places each get a sheet with prompts for what matters about them: role, motivation, psychology, an arc, and relationships to other characters for people; look, sound, smell and significance for places. Both can have a portrait or image. Notes are free-form pages for research, scene ideas, playlists or anything else.

Under Also known as, list a character’s or place’s other names (Sherlock, Mr. Holmes; The Big Apple), and search, the cast check and [[links]] find them by any of them.
Relationships on a character sheet say how they relate to others. Below your own rows, On other sheets shows what other characters’ sheets say about this one: press Add the other side to answer, and “✓ both sides” marks the pairs that already have both. With three or more rows, choose A–Z or Custom and drag the ⠿ grip (or use ↑ ↓) to put them in your own order.

The relationship map (Story ▾, or the button under Relationships) draws the characters and their Relationships rows as a picture: a solid line where both sheets describe the relationship, a dashed one with an arrow where only one does. Click a name to open the sheet.

Your own fields sit under the tags: press + Add your own field to add fields like Magic, Rank or Born, as one line, longer text, a choice list, a number or a date. They appear on every character (or place, note, chapter or story arc, or on the story overview) in the story, or in all your stories if you tick Every story.
Hints under each field explain what it’s for; Options → Layout → Field hints makes them smaller or hides them.
A story arc lays out a plotline on a tension curve. Start from a classic structure (Freytag’s pyramid, the three-act structure, Save the Cat, the hero’s journey or kishōtenketsu) or a blank arc, then drag the numbered beats along the story and up or down in tension.

Link each chapter to the beats it carries, from the chapter’s details. The dashed line then shows your chapters as written, and each beat says whether it lands where the structure puts it, early or late.
The planning board (Story ▾ → Planning board) is a free space for each story. Add idea cards, or cards for chapters, characters, places, notes and story arcs, and drag them anywhere. Drag from a card’s ● to another card to connect them (on a phone, tap ● and then the other card), and click a line to label it. Arrange as tree lays the cards out along their lines, starting from the card you selected, only when you click it, with Undo. Relationship lines adds the Relationships between character cards. An idea card can become a chapter or a note. List shows the same as a list for the keyboard, and Save as image makes a picture to print.

Tags work on three levels:
A tag joining two names with / or &, like Holmes & Watson, is a relationship tag and shows in red italics. The ⇄ on such a tag, or the switch on its page or at the top of a #tag search, turns that off for tags like Hurt/Comfort.
The Tags tab shows all of them, how often they’re used and what they’re used on. Select a tag to see everything that carries it.

The Prose checker (the pencil button in the toolbar) marks hard and very hard sentences, adverbs, passive voice and wordy phrases, after Hemingway’s readability rules, plus word echoes and dialogue. Click a highlight to see why it’s marked, or a category to show or hide it. Options → Checks and marks → Prose checker chooses between the full checker and Hemingway’s rules only.

Watch words are words and phrases you want to notice: a habit to break, or a fact to keep straight. When you type one, a small note appears beside the line and fades away without interrupting you. The Watch words button above a text edits the list for every story, for this story, or for this chapter only, for something that matters just there for a while, like a name a character shouldn’t know yet. Options → Checks and marks switches watch words on or off.
Comments: select some text and press the speech-bubble button. Comments are listed under the text and left out of every export.
Version history keeps a snapshot whenever you pause writing in a chapter and when you leave it. Replay how the chapter grew, compare any version with the one before, name important ones (“Sent to beta readers”), and restore or copy an old version.
Milestones (Story ▾ → Milestones) name the current version of every chapter at once, like “Draft 2 finished”. Later, compare any chapter with a milestone, or bring one chapter back to it; the text it has today stays in its history.

When a stage of work is done, Trim… in Version history thins out the versions you no longer need: keep one per day, one per week, or only the named ones and the latest. Story ▾ → Trim version history… does the same for every chapter, or for the chapters ticked in Select mode. Quire tells you how many versions go and asks first.
Read-through (Story ▾ → Read through) shows the whole manuscript as one read-only text, the way a reader meets it. Select words and press Comment: the comment lands in that chapter, ready for the next revision.

Stats covers the whole story, in sections you can fold (Quire remembers which): progress first (writing pace, your word goal and deadline, sprints, draft status), then the shape of the story (chapter lengths, story arc coverage, the story timeline), the cast and places (point of view, cast presence, settings, Voices), prose and tags. Values with a natural range, like the manuscript against its target, show as gauges; Options → Checks and marks → Stats tiles switches to plain numbers. The switch at the bottom changes the level of detail, from Basic to In depth, which adds sentence rhythm, openers, punctuation, repeated phrases and a narration check.

The Story timeline puts your chapters in story order. Scenes with their own time appear indented under their date, and flashbacks are marked, so a flashback inside a chapter shows where it belongs without changing the chapter’s word counts.

In depth, paragraph density for the whole manuscript lists the walls of text: places where three or more complex or dense paragraphs come in a row. Pick a chapter to see every paragraph as a dot. The narration check flags chapters whose sentences outside dialogue don’t match their Narration setting; if a chapter is fine as it is (a text-message exchange, say), press This is fine.
Voices compares how your viewpoint characters narrate: their sentence length, favorite words and phrases, the senses they lean on, and whether a voice drifts from chapter to chapter. Each character is compared with the whole manuscript, and Stands out names where they depart most from your usual style. Senses are counted per 1,000 words; open Words counted to see which words counted, and Your sense words… to add your own, like a smell that runs through your story, or to leave out words of Quire’s that mislead (feel and felt start out left out). Mark who says a line of dialogue with the Who says this button, and tag a passage as a character’s thoughts (the tag button → Thoughts of), and Voices compares how your characters speak and think too. Only what you mark counts; Quire never guesses. What Voices measures explains when the figures show a character’s voice and when they show your own.
Everything is in Options. This is the whole menu, laid out in three columns:

Click a section’s heading to fold it; Quire remembers.
Themes: pick one of six (Light, Twilight, Dark, Sepia, Lamplight, Ember), or + New theme… to make your own from four colors. Quire works out the other shades, previews the theme as you go and checks the text stays readable.

quire.html itself. The file is your real copy: keep it with your writing and back it up like any document. In Chrome and Edge you choose the file once and later saves overwrite it. Firefox and Safari download an updated copy each time, by default into your Downloads folder. To save over your Quire file in Firefox, open Settings → General → Files and Applications and turn on Always ask you where to save files. Each Save file then asks where to put it: choose your Quire file and confirm that you want to replace it. Firefox remembers the folder. A reminder nudges you if work has gone unsaved for a while..json file, which any copy of Quire can restore.Import chapters (Story → Import chapters) reads Word documents (.docx), text and Markdown files, or pasted text. Quire shows the chapters it found before adding anything. A new chapter starts at each heading, or at lines like “Chapter 3” or “Prologue”. From Word, italics, bold, scene breaks, lists, links and images come along, comments become Quire comments, tracked changes are taken as accepted, and footnotes go at the end of their chapter. You can also just drop a file onto Quire.

E-book (Options → Export → E-book) makes an EPUB for Apple Books, Kobo, Google Play Books, and Kindle through Send to Kindle, with a table of contents, a title page, a simple cover, and your dedication, epigraph, acknowledgments and about-the-author page if you wrote them.

Deleting a chapter, sheet, note, story arc or whole story moves it to the trash (Story → Trash) for 30 days, and Undo appears right after deleting. Restoring brings it back as it was, with its places in viewpoints, cast lists, arcs and speaker marks. Delete for good or Empty the trash removes things for good straight away.

Quire works on phones too. The title bar stacks up, the tabs scroll sideways, and the toolbar stays at the top while you write.

To use the same notebook on your phone, copy quire.html there (with a cloud folder, say) and open it in the phone’s browser. Use one copy at a time, so two copies don’t drift apart.
Opened from an app such as Dropbox, the browser only gets a temporary link to the file, so Save file saves a new copy, named as you last saved it. Save it over the old file (confirm replacing it), or delete the old one afterwards.
Options → Help and info explains every feature, with topics to jump to and a search: press /, type, and Enter steps through the matches.

Found a bug or have an idea? Open an issue.